禁色 Kinjiki Summary à 108

Summary 禁色 Kinjiki

禁色 Kinjiki Summary à 108 Ú [Reading] ➿ 禁色 Kinjiki By Yukio Mishima – Eyltransferservices.co.uk From one of Japan's greatest modern writers comes an exuisitely disturbing novel of sexual combat and concealed passion a work that distills beauty longing and loathing into an intoxicating poisoned c From one of Japan's greatest modern wFrom one of Japan's greatest modern writers comes an exuisitely disturbing novel of sexual combat and concealed passion a work that distills beauty longing and loathing into an intoxicating poisoned cocktail An aging embittered novelist sets out to avenge himself on the women who have be. For those who don't know Yukio Mishima is one of Japan's most revered writers of the 20th century He committed suicide in 1970 that tragic and noble ritualistic way they have over there and he was probably gay though he was definitely married to a woman This novel is above all a harsh critiue of marriage Like Thomas Mann the story begins with an aged single famous writer Shunsuké at the beach gazing upon the impossibly beautiful body of a young male Yuichi much older than Mann's Tadzio Shunsuké has been hurt emotionally and like embittered by two previous women he was with and so he takes Yuichi under his proverbial wing as a kind of experimentYuichi is to marry a young woman but confesses that he can't ever love a woman He feels nothing for the sex as a whole Shunsuké tells him that women should be treated as stupid animals easily manipulated and tells him to go through with it for the sake of power and position Then throughout the rest of the novel Shunsuké basically uses Yuichi's good looks to get him to seduce and emotionally destroy the very women who emotionally destroyed himIt's clearly a pretty angry book At one point Yuichi is walking with one of his many lovers throughout the book and overhears a passing woman say something like Ugh gays He blows up to his companion'Them Them' Yuichi ground his teeth 'They who pay three hundred and fifty yen for a lunch hour together in a hotel bed and have their great love affair in the sight of heaven They who if all goes well build their rat's nest love nests They who sleepy eyed diligently multiply They who go out on Sundays with all their children to clearance sales at the department stores They who scheme out one or two stingy infidelities in their lifetimes They who always show off their healthy homes their healthy morality their common sense their self satisfaction'Victory however is always on the side of the commonplace Yuichi knew that all the scorn he could muster could not combat their natural scorn 238So an angry book but a pretty wise one This is the most articulate version I've read of the idea that a gay man's anger or hatred toward the heterosexual order is always limited by the fact that he came from such an order whereas a hetero can do everything possible to keep homosexuality out of his life all together making his hatred for it real powerful and thoroughThe copy on the back of my copy of the book is not so wise however It interprets Yuichi's situation as being drawn to homosexuality after a loveless marriage as though gay sex were some logical form of therapy which for some married men maybe it is Mishima somewhat addresses this pre gay rights homosexual dilletantism late in the book once Yuichi starts sleeping with Kawada who is some important financial workerThe homosexual of promise whoever he is is one who recognizes that certain manliness within himself and loves it and holds fast to it and the masculine virtue that Kawada recognized in himself was his ever ready nineteenth century predilection for diligence A strange trap for one to be in As in that long ago warlike time loving a woman was an effeminate act; to Kawada any emotion that ran counter to his own masculine virtue seemed effeminate To samurai and homosexual the ugliest vice is femininity Even though their reasons for it differ the samurai and the homosexual do not see manliness as instinctive but rather as something gained only from moral effort The ruin Kawada felt was moral ruin The reason that he was an adherent of the Conservative party lay in its policy of protecting the things that should have been his enemies the established order and the family system based on heterosexual love 380Paging Larry Craig Mishima's narrator loves to butt in a lot like this with a grand sometimes smirking knowingness about his characters but it always felt companionable than intrusive All in all a pretty good novel though I imagine his better known books—those without perhaps so strong a need to delineate their author's desired position somewhere between the code of the samurai and that of the homosexual—are better readsOh and there's this incredible sentence Drunker than if he had drunk saké he was drunk on intoxication 222Yes

Free read ´ eBook, ePUB or Kindle PDF î Yukio Mishima

The gay underworld of postwar Japan In that hidden society of parks and tearooms prostitutes and aristocratic blackmailers Yuichi is as defenseless as any of the women he preys on Mordantly observed intellectually provocative and filled with icy eroticism Forbidden Colors is a masterpiec. If you've never read Mishima before don't start with this book Begin with his first book CONFESSIONS OF A MASK then read THE TEMPLE OF THE GOLDEN PAVILION which is another great early book Then read the four classic novels he wrote just before he died SPRING SNOW RUNAWAY HORSES THE TEMPLE OF DAWN and DECAY OF THE ANGELFORBIDDEN COLORS is from the sagging middle of Mishima's career What's missing is the idealism and passion of his last great novels This is a mundane world not because the main character is gay but because he's not especially heroic or even very intelligent He has no vision for himself he's a passive receptacle of other people's fantasies There's lots of bitter brilliant insight into the every day lives of homosexuals but not as much drama color and spectacle as in the last great novels when Mishima was consciously creating a series of timeless masterpieces that would capture all of the Japanese character not just the concerns of one small group

Yukio Mishima î 8 Read

禁色 KinjikiTrayed him He finds the perfect instrument in Yuichi a young man whose beauty makes him irresistible to women but who is just discovering his attraction to other menAs Yuichi's mentor presses him into a loveless marriage and a series of eually loveless philanderings his protégé enters. as with all other books by Mishima i have read the writing style twisting of sentences use of extravagant imagery and downright beauty of the whole book is what makes this read so phenomenally amazing Forbidden Colours is veiled with prose so insanely beautiful it's often easy to over look the horrifically cruel and emotionally gutting plot I believe that to be the point and exactly why i put it as one of my favourite all time reads There is not one redeeming feature in any of the characters all are mistreated or mistreat others and if a positive feature does arise Mishima skillfully uses this feature to slowly destroy another character or the character himherself Everyone in it unravels by their own hand leading towards a culmination of broken hearts much like an emotional train wreck The book starts as it means to go on with a rather grotesue display of womanizing which is passed on and on and on in various guises through other characters each time ramping up the knock on effects and thus the book continually stirs the pot of human greed weakness destruction and fake love into such vile looking substance it's a miracle that Mishima manages to keep the beauty and grace of his writing centre stage with the characters and plot looking like a rotting joint of meat Mishima garnishes it with flowers of such transfixing intoxication it reads like a lavish banuet